During a beautiful weekend like this one, it’s tempting to fantasise about abandoning fixed offices and working more flexibly. When we’re not in the studio in London W1, we’re at home in N16 – Stoke Newington – within a short walk of the wonderful, leafy Clissold Park (featuring the square footage referenced in the title of this post). A brief walk around the park today helped us to resolve some thinking about a current identity project, slightly alter the colour of our pallid, designer faces and reveal to us that terrapins can and will yawn. In the past, we’ve even found ourselves agreeing to a donated design project after an unplanned conversation with a really interesting guy in the local library – more on that sometime soon.
Apart from tanning, getting closer to nature and stimulating ideas, one of us caught up on some reading, while another checked email and corresponded with one of our hard working – it was a Sunday – developer friends on a digital project. Could we quit a fixed office arrangement, work from ‘home’ and run Zerofee from any location that suited us? Maybe. The technology more-or-less facilitates it (we could even run proofs remotely, although we’d have to make our way to the output device to check them over). The trouble is, the studio serves as a reassuring signal to clients – present and future – that we mean business and are well-established and, while reducing overheads would be nice, we’d be concerned about undermining our perceived viability as a design service provider.
And, we imagine, we’d miss the friends we’ve made in and around our offices, the exercise afforded by an 11 mile round cycling commute five days a week, and, eventually, become cripplingly overweight, each digit on our chubby, sweating hands spanning several keys in an application shortcut-ruining physical disability (voice-activation might be an option).
In all seriousness, though, we’d be keen to hear if and how other designers get by working without a fixed office space. Does that affect your current and potential client’s perception of your business and capabilities. If so, how? If you’re reading this from ‘the client side’, would or do you find the notion of a design supplier without permanent offices a problem? For far less than the cost of centrally-located (or even further afield) studio space, it’s possible to join a well-appointed, members-only club and use their facilities for meetings and some light work, not to mention inadvertent networking. We’re not ready to change the contact details on our website just yet, but we could be tempted.


